Design: mathtext and LaTeX support

Decision

CurvedText accepts matplotlib mathtext ($...$) inside the label string. The label is tokenized into runs: each plain character and each math run is rendered from its glyph outline, positioned so a single shared text baseline follows the curve. A plain character is placed rigidly (one rotation, shape undistorted); a math run bends its glyph outlines through the curve’s arc-length frame so radicals and fractions stay connected. Mathtext arrives through the existing text argument, and pos, anchor, offset, valign, and the kwargs pass-through keep their meaning. Under usetex LaTeX lays out the same segments; the LaTeX section below covers what changes.

Two existing design invariants are preserved and remain load-bearing: all geometry is computed per draw in display space, and children are independent artists that the parent positions before they render (the zorder + 1 ordering).

Why bending, and what was rejected

Mathtext cannot survive the library’s per-character construction: splitting $\propto D$ into characters destroys the expression before matplotlib’s parser sees it. Four approaches were considered.

Unicode substitution. Translate math to Unicode characters (\propto to U+221D) and curve them as plain text. Rejected as a library mechanism: the coverage ceiling is hard (fractions, radicals, sized delimiters, most subscript letters have no Unicode form), mathtext styles variables in italic from the math font so substituted text renders visibly differently, and a library silently rewriting user content violates least surprise. It remains good user-side advice for simple symbols.

One rigid block per math run. Render each $...$ run as a single child Text artist, measured and rotated by the existing draw loop. About thirty lines of change and fully vector, but the run sits on its chord: on a curving section a long expression visibly detaches from the path. Kept as the mental fallback; not chosen.

Rigid per-glyph placement. Decompose the mathtext layout into glyphs and place each rigidly at its own arc position, rotated to the local tangent (the classic text-on-path treatment). Prototyping showed the structural flaw: composite constructs are drawn in two frames. A radical’s check mark is one rigid glyph while its overline is a rule box that must follow the curve; the junction error grows with curvature times the construct’s height, and the tallest constructs (radicals, big delimiters, fractions) are exactly where it shows. Repairing this requires grouping glyphs by parse-tree structure, which the public layout API does not expose. Rejected on complexity.

Bend everything through one frame (chosen). Map every outline control point and every rule box through the same curvilinear map

(u, v) -> curve(u) + (v - datum) * normal(u)

where u is arc length along the label and v is height above the baseline. Seams are impossible by construction because there is only one frame. The single failure mode is smooth distortion that grows with label height times curvature, and it degrades gracefully: prototypes remained readable with the fraction centered on a bend whose radius was comparable to the expression height, and were indistinguishable from straight typesetting at typical label-to-curvature ratios.

Mixed-string semantics

Plain characters and math runs share one baseline and one outline-placement mechanism, differing only in rigidity:

  • Plain characters are placed rigidly, each rotated to the chord across its own advance, so the glyph shape is undistorted.

  • Math runs bend continuously through the frame.

The two regimes are the same frame at different scales of discretization: a rigid glyph is the glyph-scale case of the bend map, so on a straight section they coincide exactly, and within the width of one glyph the difference is far below a pixel at any curvature where text is readable. Both ride the text baseline as their shared datum, so plain and math sit level by construction and a glyph’s perpendicular distance from the curve is exactly its height above the baseline – there is no per-glyph step. (Placing plain text instead as rotated Text artists, the earlier approach, let matplotlib align each glyph from its own rotated bounding box, scattering the baselines by a few pixels.)

Architecture

All code lives in src/curved_text/_core.py.

  • _Run (NamedTuple: is_math, text) and _split_runs(text): a pure tokenizer mirroring matplotlib’s own rules. An odd count of unescaped $ means the whole string is one plain run; \$ in plain runs unescapes to $; empty plain runs between adjacent math runs are dropped; math runs keep their delimiters so they re-parse as written.

  • _CurveFrame: the display-space curve geometry (projected points, cumulative arc length) with a vectorized point-and-tangent lookup. It replaces the _point closure and keeps its clip-then-extrapolate semantics, so labels overrunning a curve end still ride the straight tangent extension. Shared by the per-character walk and by math runs.

  • _OutlineSegment(matplotlib.text.Text): the shared base for both segment kinds. Subclassing Text inherits kwargs handling identically across segments, and get_window_extent measures both plain text and mathtext, so the parent’s measurement loop has no special case. It owns draw and the outline-to-curve mapping and the outline cache; subclasses supply only the outline source (_build_outline) and the _bend flag.

    • _outline_units() returns the segment’s outline (vertices, codes) in 1/100-em units, baseline at v = 0, memoized per text, font properties, and usetex setting. It calls the subclass’s _build_outline on a cache miss. _PlainGlyph reads the outline from TextToPath.get_text_path; _MathRun from TextToPath.get_glyphs_mathtext (or get_glyphs_tex under usetex, see below), subdividing rule boxes (fraction bars, radical overlines) with _densify so the long straight runs follow the curve. Glyph units are resolution independent; only the per-draw pixel scale varies.

    • _placed_path(renderer) builds the placed compound path in display pixels. For a math run (_bend = True) every outline point is bent through the frame, bezier control points mapped directly (the approximation vector editors use for path bending). For a plain glyph (_bend = False) the whole outline takes one rigid rotation about its centre on the curve, so its shape is preserved.

    • draw(renderer) fills the compound path with one renderer.draw_path call using the artist’s color and alpha, clipping set through public GraphicsContext methods, wrapping the renderer in a PathEffectRenderer when effects are set. With no frame assigned it draws nothing.

    • _set_placement(frame, s_left, width_px, datum) is the per-draw handoff the parent calls. Any perpendicular offset is already baked into frame (it is the parallel curve), so a segment needs no offset of its own.

  • CurvedText builds children from _split_runs (honoring parse_math), and its draw walks one cursor over the segments, handing each its placement. The child list is named _segments, since elements are characters and runs alike.

Vertical datum

Every segment – plain glyph and math run – measures height from the text baseline; that shared zero is what makes plain and math level by construction (a math run’s main symbols sit on the same baseline as the neighbouring plain characters, and the math axis for fractions sits at its standard offset above it). The valign control then chooses which line rides the curve, by subtracting a single font-metric datum from every segment’s height before placement: "center" (the default, (ascender + descender) / 2) so the text straddles the curve, "baseline" (0), "ascender", or "descender". Because the datum is a font metric, not a per-glyph box, it is identical for every glyph and introduces no step. The default is "center" because it reproduces the placement of the superseded va="center" per-character design, keeping the offset reference backward compatible – minus the per-glyph step, which was that design’s bug. The font lines come from the font the text is drawn in, so under usetex they come from TeX; the LaTeX section below explains how, and how the two differ.

Centering on a segment’s own layout box was rejected: a superscript or tall delimiter inflates the box, so centering on it dropped the body below the plain characters. A shared font-metric datum is immune, because it does not depend on the segment’s own extent. Pinned by tests: a math x shares the baseline of a plain x, an exponent extends the run upward without moving its body, and valign shifts the whole label by one constant with no per-glyph step.

LaTeX (usetex)

When a segment’s usetex setting is on (the text.usetex rcParam, or usetex=True passed through the kwargs), LaTeX lays out both segment kinds, so a curved label matches the figure’s other usetex text. The run architecture carries over unchanged; three details make the outline agree with the advance matplotlib measures, and a fourth puts the valign lines on the drawn font.

  • Layout at the label size. matplotlib measures a usetex advance by running LaTeX at the label’s own size, and TeX fonts change design with size (cmss8 at 8 pt, cmss12 at 12 pt). TextToPath runs LaTeX at its fixed 100 pt FONT_SCALE, which would draw a different design from the one measured: thinner letters with loose tracking on small labels. _tex_to_path(size) returns a converter whose public FONT_SCALE is the label size. The measurement and the outline then share one cached LaTeX run. The converter loads usetex glyphs with FreeType hinting on a grid of FONT_SCALE points at its public DPI, and at the default 72 dpi a 10 pt label is hinted on a 10-pixel em, which snaps an x-height of 0.44 em to 0.50 em. The converter’s DPI is therefore set so the em spans at least 100 pixels, which makes the hinting negligible. FreeType takes the DPI as a whole number while matplotlib’s DVI reader places glyphs at the exact value, so a fractional DPI would shrink the glyphs (2.8% at 190 pt). The DPI is rounded up to a whole number, and _layout_units rescales the outline to 1/100-em layout units by the remaining factor, which is within 1.4% of 1 up to 72 pt.

  • Plain text is literal. Each plain character is its own segment, so TeX commands cannot span plain text anyway. A plain glyph’s text is the character’s literal TeX source (_tex_source): markup characters are escaped, and <, >, and |, which the default OT1 encoding typesets as other glyphs, are spelled out by name. The escaped text is set once at construction, when matplotlib also fixes the artist’s usetex setting, so matplotlib’s own measurement, figure layout (bbox_inches="tight"), and the outline all read the same string. Overriding matplotlib’s private Text._preprocess_math hook would escape the text without changing get_text(), and was rejected under the public-API constraint below.

  • Whitespace advances. matplotlib’s DVI reader sizes its output from the glyphs and rules TeX sets, and glue alone sets neither, so a bare space measures zero wide. Whitespace (TeX reads a tab as a space) is typeset as an interword space between two 1sp rules, which measures the true interword width.

  • valign reads the drawn font. Under usetex the text is drawn in a TeX font chosen by the preamble, font family, and size, never in the matplotlib font the label’s font properties name, so the valign lines come from TeX. The ascender and descender lines are the height and depth TeX gives ()gy (_tex_font_lines), measured once per draw with matplotlib’s own TexManager.get_text_width_height_descent. The parentheses reach the ascender line, and g and y reach the descender line in fonts whose parentheses stop short of it, such as typewriter fonts and Times. TeX takes the box from the font’s metrics at the size it draws the font, so a font the preamble loads scaled (helvet with scaled=0.92) gets lines scaled with its glyphs.

The box of ()gy tracks each font’s designed lines. For Times and Helvetica it gives ascenders of 0.675 and 0.728 em and descenders of -0.216 and -0.212 em, against 0.683, 0.729, -0.217, and -0.218 em in their AFM files. Reading the Type 1 font file through FreeType was rejected. FreeType reports a Type 1 font’s bounding box as its ascender and descender, which depends on the glyphs the file contains, not on the letters’ design: Latin Modern Sans draws the same letters as Computer Modern Sans, but its file reports an ascender of 1.159 em against 0.758 em.

Without usetex the lines are the ascender and descender FreeType reads from the matplotlib font. For a TrueType font such as DejaVu Sans that is the ascender the font’s designer set for line spacing (0.928 em), about 0.17 em above the tops of its letters. The two modes therefore place "ascender" differently against the letters: without usetex the curve runs a little above the tallest letters, and under usetex it touches them.

Path effects

Keyword arguments reach every child, so path_effects flow to every segment. _OutlineSegment.draw draws its own placed path, so it wraps the renderer in a PathEffectRenderer when effects are set. The effect strokes the placed outline, so a white withStroke casing follows the curved text and clears the lines a label crosses. This is the matplotlib-native idiom for a light, glyph-hugging casing.

Casing (box)

A path_effects stroke cannot give solid coverage under plain text: each character is its own artist that strokes then fills, so a wide neighbor stroke overwrites the previous glyph’s fill. The box parameter solves the full-coverage case with a different mechanism – a single Line2D casing following the offset curve across the label’s span, its linewidth set to the tallest glyph’s height scaled by pad (default 1.1), drawn as one fill so nothing cannibalizes. Its centreline is shifted off the curve by the glyph band’s offset (the text rides its valign datum, so the ink band is centred off the bare curve) so the band covers the ink. The band’s centre line comes from the same font lines as the label, under usetex the TeX ones. It is a child artist positioned per draw in CurvedText.draw, like the glyphs. When draw bails out early (no segments, detached axes, or a degenerate curve) it hides the casing, so a stale band is never left painted.

Layering is by zorder, applied once in __init__ and maintained by set_zorder: the container at z, the casing at z + 0.5, the glyphs at z + 1. The casing must sit above the container because the container’s draw is what positions it – a lower zorder would draw the casing before its geometry is set, leaving it stale or empty. It must sit below the glyphs so the text reads on top.

Behavior rules

  • parse_math=False (kwarg or rcParam) disables splitting entirely.

  • A string with an odd count of unescaped $ renders literally, character by character, as matplotlib itself would.

  • Under usetex, plain text is typeset literally, one character at a time; TeX commands work only inside $...$. This differs from matplotlib’s own usetex Text, which passes the whole string to TeX.

  • Under usetex, plain text is limited to characters the LaTeX preamble can typeset. By default a Greek letter in plain text is a LaTeX error, as it is in matplotlib’s own usetex text. Math-run Greek ($\lambda$) is italic, the convention for variables; plain Greek, like the rest of plain text, should be upright, and lowercase upright Greek needs a LaTeX package. The README gives a preamble recipe (upgreek plus \DeclareUnicodeCharacter). The library does not load packages itself: the preamble is one global rcParam that also governs layout passes outside the library’s draw, so injecting a package only during its own draws would measure and draw with different preambles, and setting it globally would change the user’s other usetex text. A straight " typesets as a closing curly quote, as it does in matplotlib’s own usetex text.

  • Tall constructs degrade by vertical compression on the inside of bends; the docstring states this and leaves label-size-to-curvature judgment to the user.

Test pins

Beyond ports of the existing behavioral suite (ordering, offset, dpi invariance, overrun, idempotent redraw, degenerate curve, zorder, remove, fontsize pass-through), these tests carry the design:

  • Straight-line equivalence: the placed path of a math run on a straight horizontal curve reduces to a plain affine reconstructed from its own layout. Pins datum, width, scale, and dpi handling at once.

  • Anti-rigidity: a math label spanning a wide circular arc keeps every path vertex within radius +/- label reach, a bound chord placement would violate. Pins that bending actually happens.

  • No per-glyph step: on a slanted straight guide the cap tops of mixed plain glyphs are collinear to sub-pixel. Pins the shared-baseline placement.

  • Plain/math alignment: a math x and a plain x land on the same baseline, under mathtext and under usetex.

  • Usetex design match: the ink-to-advance ratio of a plain glyph is the same at 8 pt and 30 pt, which fails if the outline is laid out at a size other than the one measured.

  • Usetex valign: a ()gy label straddles a flat curve under "center" and touches it at the top or bottom under "ascender" or "descender", for Computer Modern, its typewriter font, Latin Modern, Times, and Helvetica loaded at scaled=0.92. The cases fail when the lines come from the matplotlib font, from a Type 1 font file’s bounding box, from the unscaled font, or from parentheses alone.

  • Usetex box: the casing centreline sits midway between the top and bottom of ()gy under every valign, which fails when the casing takes its centre line from the matplotlib font instead of the drawn one.

  • valign without usetex: the "ascender" shift equals the ascender of the font the label names, for DejaVu Sans and for STIXGeneral.

Deferred

  • Hinted outlines via FT2Font.get_path for non-usetex text (recovers grid-fit stem weight, which rotation largely defeats anyway); marginal gain, not pursued. Usetex glyphs are hinted by matplotlib, at a resolution where it is negligible (see the LaTeX section).

  • Inter-character kerning for plain runs. Each plain character is laid out and advanced on its own, so kerning pairs between adjacent glyphs are not applied. The per-character placement that rides the curve is what makes this hard: kerning is a pairwise shift, and the glyphs do not share one layout pass.

Ecosystem constraints

curved-text is listed in matplotlib’s third-party package registry (mpl-third-party). The implementation therefore uses public matplotlib API only, verifies the declared matplotlib floor in CI, and adds a non-blocking CI job against matplotlib pre-releases so upstream breakage surfaces here before users meet it.